Masaru Goto - Overcoming Hidden Discrimination

May 19th, 2008 | Scroll down for comments

Introduction

Masaru Goto is a highly regarded Japanese photographer known for his compassionate documentary work “highlighting the plight and resilience of ordinary people caught in conflicts, suffering under oppression, or economically disadvantaged.’

This exhibition is entitled “NIHONJIN, BURAKUMIN: Portraits of Japan’s outcast people.”

The Burakumin are a nearly invisible (yet identifiable) group of Japanese people. They are the remnant of a caste system that formally passed away long ago. Their ancestors were the untouchables. Despite being racially and ethnically Japanese through and through, the Burakumin still face discrimination and struggle together under the weight of their shared history.

Discrimination is an act of depriving individuals of their fundamental human rights and treating them unjustly in any aspect of their lives, be it political, economic or cultural. In Japan, Buraku discrimination happens against people who were born or live in the Hisabetsu Buraku (discriminated districts).

The roots of Buraku discrimination come from feudal Japan, when the Buraku were areas separated from the other social classes. The people there lived under tight restrictions in every part of their lives, such as clothing, jobs, and home, due to the feudal class system formed by a variety of political and social factors. These historical areas are the origins of today’s Buraku, people who are still the target of discrimination due to the influence of subsequent social systems. This discrimination is what Japanese call, “Buraku issues.”

After World War II, the Buraku liberation movement made a fresh start, following in the footsteps of the National Levelers’ Association (Zenkoku Suiheisha). As a result of a strong demand for the government to abolish Buraku discrimination, the “Report by the Council for Anti - Discrimination Measures” was issued in 1965, and in that report the forms of Buraku discrimination were classified into “substantive discrimination” and “psychological discrimination.” And, most importantly, settlement of the Buraku issue was recognized as “the government’s responsibility and a national task.”

In 1969, the “Special Measures Law for Anti - Discrimination Project” was enacted, and by this law, “Dowa districts” were defined as “areas where improvement and stabilization of the living arrangements etc. are prevented based on historical and social reasons”, and projects were undertaken to improve those Dowa districts designated by the government.

Residential conditions improved greatly through the special measures law until 2002, but the sense of discrimination against Buraku still exists even after so many years. Negative images, such as “grim,” “poor,” and “obsolete” are still strong, and there are many issues of substantive discrimination to this day.

In such a situation, there are people not only stand up against this discrimination, but who also live, shine and tread this earth. There are communities where strong senses of unity and mutual help still exist. The Buraku way of life and their warm lands; are they still completely alien to you?

Reference link: Buraku Liberation and Human Rights Research Institute

Masaru Goto has 20 years of experience photographing social and human rights issues in Southeast Asia and South America. He has participated in numerous campaigns for human rights and social issues, and his reportage has been featured internationally.

He received “The International Fund for Documentary Photography (IFDP) from the Fifty Crows Foundation (2002) for his documentary project, “Human Rights in Colombia.” His reportage of Kashmir received The Ueno Hikoma Award (2004) in Japan. His images of HIV/AIDS in Cambodia won two of the categories in The River of Life competition sponsored by the World Health Organization (2004), as well as The Grand Prize from Sagamihara city in Japan for the book “Smile in Despair: Stories from a Cambodian AIDS Ward” in 2005.

He immerses himself in long-term documentary projects, spending time with the people in his images and sharing their sense of humanity.

Contact information
Email: masaru [d-o-t] goto [a-t] gmail [d-o-t] com
Site: www.masarugoto.com
Mobile: +66 87 001 5922 (Thailand)
Tel/Fax: +66 2 678 6196

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Welcome to “See the World” at GlobalCompassion.com (www.globalcompassion.com). Now is a good time to add a bookmark to this site, put a link on your website or blog, and plan to return again. This gallery shows the work of one photographer per week. Learn more here.

It’s an honor to have Masaru Goto as our first featured photographer. Whether photographing Cambodians dying of AIDS or victims of violence in Thailand, he portrays people with their humanity intact while bringing their faces and stories faithfully to light. The portraits above are particularly fitting for this new gallery. The Burakumin are spoken of in Japan, when they are mentioned at all, in hushed tones. One reason is because there is no way to know if a member of the Burakumin is sitting next to you. Although many Burakumin keep their identity a secret, there are others (like those pictured here) who understand that freedom comes by bringing the truth into the light not by hiding in shadows.

That’s what this gallery is all about: seeing people and culture with honesty and sensitivity. We have an exciting list of photographers who will display their work in the coming weeks. They appreciate your presence, the others you invite, and your engagement with their work through comments. And if you care to buy a print or hire them; they’ll likely appreciate that, too.

Update: Welcome to visitors from Boing Boing. Come back each week for outstanding photographers of people and culture. Sign up for our email list here.

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14 Responses to “Masaru Goto - Overcoming Hidden Discrimination”

  1. Roger Williams Says:

    I first encountered prejudice against the people of the buraku when I came to Japan over 40 years ago. It is sad to think that young people still have to battle against this, but these photographs are encouraging evidence of those who are making a success of their lives! As someone who has long been hooked on “fun” I particularly appreciated the testimony of the man who claimed that every day of his life was full of it. That’s the spirit!! The photographs are very moving; I enjoyed them immensely.

  2. EXCELENT good job bro…

  3. I really love these photos. That was my first thought when I first looked at them, without reading any of the background info. They really are great photos, & I was quite moved by them. They express the character of each individual, and convey the beauty that can be found in ordinary people. Which is what these people are when it comes down to it - no different to you or I or the other ordinary people they live & move amongst every day.

    As a foreigner, I had no idea of this kind of discrimination in Japan. Just the idea of labelling someone according to where they were born or where they live, seems so crazy & foreign to me… but when I think about it I suppose that kind of discrimination occurs all over the world, even here in Australia.
    It’s great to see issues like this expressed in such a beautiful way.

    Seeing people taking pride in their heritage, standing up against discrimination, while also connecting with the people around them (both Buraku & others), is really quite inspring.

    After reading the background notes, I can still say that I love these photos, but now I find them moving on a deeper level.

    Thank you for sharing these with us.
    :)

  4. Isabelle (^^) Says:

    I felt just like Lauren. First, I took a look at the photos, enjoyed seeing them all smiles, then I read the comments… and I ended up loving the photos even more and for the same reasons as Lauren. I was particularly moved by Miss Takeda and Mr. Lee’s stories, I don’t know why.

  5. [...] So far there is only one photographer, photojournalist/humanitarian photographer Masaru Goto, whose work is quite compelling. The portfolio he displays at GlobalCompasion.com is entitled “NIHONJIN, BURAKUMIN: Portraits of Japan’s outcast people”. [...]

  6. Thanks Masaru for informing me of an issue in Japan that I did not know even existed.

  7. I’ve been living in Japan and I’ve seen people slap Burakumin, and generally treat them like crap.

    Japanese society may be “polite”, but that shouldn’t be confused with nice.

    That is, I’ve been living in Japan for 11 years.

  8. I live in Japan and it’s interesting how rarely these are discussed. I can say the topic has come up like once in 18 years of living in Japan, and I think I was the one who brought it up. Incidentally, “buraku” sounds like “black” (an odd accident there) but it’s written with kanji (部落民) that literally mean “village people.”

  9. [...] Link [...]

  10. A wonderful set for a wonderful idea!

  11. [...] The photographs, a series of portraits, are colorful and reveal a remarkable zest for life in each of the participants (like the guy who says he wants to die shouting “Whoo!”). Each picture is followed by a short account of each persons experiences. I found bamboo artisan Keigin Ishida’s story of his relationship with his father especially touching. LINK TO MASARU GOTO’S EXHIBITION [...]

    [WORDPRESS HASHCASH] The comment’s server IP (208.113.208.209) doesn’t match the comment’s URL host IP (208.113.210.201) and so is spam.

  12. wow, great set, thanks

  13. Dear all,

    Thank you for the comments. The Burakumin story is still Taboo and people do not talk about in public in Japan. So I appreciate everyone who consider about Burakumin. I believe that this is the first step.

    Masaru Goto

  14. [...] See more on GlobalCompassion [...]

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