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	<title>Comments on: La Chureca, people and the life at the dump in Managua, Nicaragua</title>
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	<link>http://www.globalcompassion.com/2008/07/07/samantha-oulavong/</link>
	<description>See the World! People, life and culture in picture, video, and written stories</description>
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		<title>By: jeff (theanjelinajolie.com)</title>
		<link>http://www.globalcompassion.com/2008/07/07/samantha-oulavong/comment-page-1/#comment-442</link>
		<dc:creator>jeff (theanjelinajolie.com)</dc:creator>
		<pubDate>Tue, 03 Feb 2009 06:57:54 +0000</pubDate>
		<guid isPermaLink="false">http://www.globalcompassion.com/?p=230#comment-442</guid>
		<description>I agree the set could be stronger. I also like Man Walking very much and also Young Mother and Child.</description>
		<content:encoded><![CDATA[<p>I agree the set could be stronger. I also like Man Walking very much and also Young Mother and Child.</p>
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		<title>By: See the World &#124; Global Compassion.com &#124; Photo Blog Gallery &#187; Blog Archive &#187; Morten Svenningsen - Let the Children Introduce You to Nepal</title>
		<link>http://www.globalcompassion.com/2008/07/07/samantha-oulavong/comment-page-1/#comment-212</link>
		<dc:creator>See the World &#124; Global Compassion.com &#124; Photo Blog Gallery &#187; Blog Archive &#187; Morten Svenningsen - Let the Children Introduce You to Nepal</dc:creator>
		<pubDate>Tue, 15 Jul 2008 02:12:14 +0000</pubDate>
		<guid isPermaLink="false">http://www.globalcompassion.com/?p=230#comment-212</guid>
		<description>[...] I want to call attention to a comment left on last week&#8217;s gallery. The commenter (Annie) expressed concern about marginalized people being exploited by having their photographs included here. I think her concerns are legitimate, and I will work to address them. I&#8217;d like to hear from others as well. I don&#8217;t want to cut and paste her comment and my response, but you can read them below last week&#8217;s gallery. [...]</description>
		<content:encoded><![CDATA[<p>[...] I want to call attention to a comment left on last week&#8217;s gallery. The commenter (Annie) expressed concern about marginalized people being exploited by having their photographs included here. I think her concerns are legitimate, and I will work to address them. I&#8217;d like to hear from others as well. I don&#8217;t want to cut and paste her comment and my response, but you can read them below last week&#8217;s gallery. [...]</p>
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		<title>By: Andy Gray</title>
		<link>http://www.globalcompassion.com/2008/07/07/samantha-oulavong/comment-page-1/#comment-211</link>
		<dc:creator>Andy Gray</dc:creator>
		<pubDate>Mon, 14 Jul 2008 23:33:25 +0000</pubDate>
		<guid isPermaLink="false">http://www.globalcompassion.com/?p=230#comment-211</guid>
		<description>Just keep in mind Masaru Goto is a dedicated, professional photojournalist and a very good one.</description>
		<content:encoded><![CDATA[<p>Just keep in mind Masaru Goto is a dedicated, professional photojournalist and a very good one.</p>
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		<title>By: Annie</title>
		<link>http://www.globalcompassion.com/2008/07/07/samantha-oulavong/comment-page-1/#comment-210</link>
		<dc:creator>Annie</dc:creator>
		<pubDate>Mon, 14 Jul 2008 18:09:00 +0000</pubDate>
		<guid isPermaLink="false">http://www.globalcompassion.com/?p=230#comment-210</guid>
		<description>Thank you Andy for your response. I think that it is important to continue a dialogue about the politics of &quot;social justice art.&quot; In response to point 4, I agree that stories are obviously exploitative, and might I add even NGO&#039;s, essays and books are written about this kind of exploitation. I simply would like to see a layout like the one from the photographer Masaru Goto in &quot;Overcoming Hidden Discrimination,&quot; where there is an intro and background info given. For me this info provides more clarity.</description>
		<content:encoded><![CDATA[<p>Thank you Andy for your response. I think that it is important to continue a dialogue about the politics of &#8220;social justice art.&#8221; In response to point 4, I agree that stories are obviously exploitative, and might I add even NGO&#8217;s, essays and books are written about this kind of exploitation. I simply would like to see a layout like the one from the photographer Masaru Goto in &#8220;Overcoming Hidden Discrimination,&#8221; where there is an intro and background info given. For me this info provides more clarity.</p>
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		<title>By: Andy Gray</title>
		<link>http://www.globalcompassion.com/2008/07/07/samantha-oulavong/comment-page-1/#comment-208</link>
		<dc:creator>Andy Gray</dc:creator>
		<pubDate>Mon, 14 Jul 2008 02:26:27 +0000</pubDate>
		<guid isPermaLink="false">http://www.globalcompassion.com/?p=230#comment-208</guid>
		<description>I appreciate your opinion and the passion with which you express it. I wonder what others have to say, so I&#039;ll raise the point in my next post. Right now I&#039;ll offer just a brief response with more to come.

1. I agree that photographers walk a fine line and must examine themselves always, and as the host of this website (and as a photographer myself) the same goes for me. I&#039;m pretty sensitive about what images I post here, and I think carefully about photos that show people in poverty. I think about who took them, why, and what they communicate. I happily include stories with them if the photographers provide stories. Keep in mind that these are photographers, not writers. Writing (esp. journalistic writing) is a serious discipline. If every photographer has to research and record the stories of his or her subjects, or work with a writer, then we&#039;d limit the field to professionals and people with lots of spare time and money.  

2. I never ask for photos of people suffering or in poverty. People seem to assume that I want those kinds of pictures because of the title of the website. Now the website is taking a turn toward showing images of marginalized people, which may be inevitable, so I need to reconsider how to go forward. People have strong opinions about showing the plight of marginalized people. Google &quot;Sebastiao Salgado&quot; and you&#039;ll get some idea of how people react to a very good pure photographer who has no hesitation about taking any photo with or without the story (stories are in the images). There are a lot of photos that do nothing but induce guilt for the sake of donations that I hold in very low regard compared with honest pictures taken by someone who is authentically there.

3. People have different (always strong) opinions about showing images of people who are in poverty, suffering, etc.  I don&#039;t think there is a formulaic answer. Photos really reflect both the character of the photographer AND the character of the viewer. Viewers tend to approach photographs as consumers, and they are also responsible to consider whether they are crossing lines. This applies, in my opinion, whether they are looking at images of poor children or Angelina Jolie&#039;s new twins (or Angelina Jolie). On this page, the images above were taken by someone, like yourself, working compassionately among the subjects. I don&#039;t have stories, but there are links for people who want to learn more. I suspect people who strongly connect with these photos will contact the photographer.

4. About stories...aren&#039;t those potentially exploitative? Aren&#039;t stories a form of entertainment? People read the newspaper both for information and entertainment, casually skimming tales of ruined lives while sipping coffee at Starbucks. Actually, people who really want to learn will connect and engage; people seeking passive entertainment will do that. I think both writers and photographers put there work out before angels and pigs, so to speak. Also, your &quot;zoo&quot; metaphor sounds serious but doesn&#039;t really apply; these are pictures not people. As for the photos above, it takes a lot of time out for her to prepare and post photographs online. She is obviously putting time into her work with children as well. If she doesn&#039;t have time to write the stories, then I know she is living in the midst of them and that&#039;s why. Anyone who really wants to know more will find a way to learn more.

5. Finally, I also have some knee jerk reactions about NGO&#039;s that I could tell you about another time. Exploitation takes many forms. I&#039;m sure if you have been in that work for awhile then you&#039;ll know what I mean.

I&#039;ll keep this comment in mind, and thanks for raising the points. I agree there are lines that must not be crossed, and I&#039;ll work on staying on the right side of them. Since few people agree about where the lines are located, it&#039;s essential that visitors here make their opinions known.</description>
		<content:encoded><![CDATA[<p>I appreciate your opinion and the passion with which you express it. I wonder what others have to say, so I&#8217;ll raise the point in my next post. Right now I&#8217;ll offer just a brief response with more to come.</p>
<p>1. I agree that photographers walk a fine line and must examine themselves always, and as the host of this website (and as a photographer myself) the same goes for me. I&#8217;m pretty sensitive about what images I post here, and I think carefully about photos that show people in poverty. I think about who took them, why, and what they communicate. I happily include stories with them if the photographers provide stories. Keep in mind that these are photographers, not writers. Writing (esp. journalistic writing) is a serious discipline. If every photographer has to research and record the stories of his or her subjects, or work with a writer, then we&#8217;d limit the field to professionals and people with lots of spare time and money.  </p>
<p>2. I never ask for photos of people suffering or in poverty. People seem to assume that I want those kinds of pictures because of the title of the website. Now the website is taking a turn toward showing images of marginalized people, which may be inevitable, so I need to reconsider how to go forward. People have strong opinions about showing the plight of marginalized people. Google &#8220;Sebastiao Salgado&#8221; and you&#8217;ll get some idea of how people react to a very good pure photographer who has no hesitation about taking any photo with or without the story (stories are in the images). There are a lot of photos that do nothing but induce guilt for the sake of donations that I hold in very low regard compared with honest pictures taken by someone who is authentically there.</p>
<p>3. People have different (always strong) opinions about showing images of people who are in poverty, suffering, etc.  I don&#8217;t think there is a formulaic answer. Photos really reflect both the character of the photographer AND the character of the viewer. Viewers tend to approach photographs as consumers, and they are also responsible to consider whether they are crossing lines. This applies, in my opinion, whether they are looking at images of poor children or Angelina Jolie&#8217;s new twins (or Angelina Jolie). On this page, the images above were taken by someone, like yourself, working compassionately among the subjects. I don&#8217;t have stories, but there are links for people who want to learn more. I suspect people who strongly connect with these photos will contact the photographer.</p>
<p>4. About stories&#8230;aren&#8217;t those potentially exploitative? Aren&#8217;t stories a form of entertainment? People read the newspaper both for information and entertainment, casually skimming tales of ruined lives while sipping coffee at Starbucks. Actually, people who really want to learn will connect and engage; people seeking passive entertainment will do that. I think both writers and photographers put there work out before angels and pigs, so to speak. Also, your &#8220;zoo&#8221; metaphor sounds serious but doesn&#8217;t really apply; these are pictures not people. As for the photos above, it takes a lot of time out for her to prepare and post photographs online. She is obviously putting time into her work with children as well. If she doesn&#8217;t have time to write the stories, then I know she is living in the midst of them and that&#8217;s why. Anyone who really wants to know more will find a way to learn more.</p>
<p>5. Finally, I also have some knee jerk reactions about NGO&#8217;s that I could tell you about another time. Exploitation takes many forms. I&#8217;m sure if you have been in that work for awhile then you&#8217;ll know what I mean.</p>
<p>I&#8217;ll keep this comment in mind, and thanks for raising the points. I agree there are lines that must not be crossed, and I&#8217;ll work on staying on the right side of them. Since few people agree about where the lines are located, it&#8217;s essential that visitors here make their opinions known.</p>
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		<title>By: Annie</title>
		<link>http://www.globalcompassion.com/2008/07/07/samantha-oulavong/comment-page-1/#comment-207</link>
		<dc:creator>Annie</dc:creator>
		<pubDate>Mon, 14 Jul 2008 01:02:59 +0000</pubDate>
		<guid isPermaLink="false">http://www.globalcompassion.com/?p=230#comment-207</guid>
		<description>It seems to me that your website is more about the photographers and not about the lives of the &quot;marginalized people.&quot; I work for an NGO, one that support children with AIDS, I have also worked with children on various art projects, as such I find that art that simply captures images of &quot;marginalized people&quot; does not empower or support them, and often walks a fine line between so called art for educational purposes and exploitative art. As a suggestion, I would love to see more information about the images, namely stories, backgrounds, interviews, etc. It is irresponsible for a website called Global Compassions to simply display the lives of people for interpretive purposes and not to provide more insight on their lives. What then is the difference between a photograph and a cage at the zoo?</description>
		<content:encoded><![CDATA[<p>It seems to me that your website is more about the photographers and not about the lives of the &#8220;marginalized people.&#8221; I work for an NGO, one that support children with AIDS, I have also worked with children on various art projects, as such I find that art that simply captures images of &#8220;marginalized people&#8221; does not empower or support them, and often walks a fine line between so called art for educational purposes and exploitative art. As a suggestion, I would love to see more information about the images, namely stories, backgrounds, interviews, etc. It is irresponsible for a website called Global Compassions to simply display the lives of people for interpretive purposes and not to provide more insight on their lives. What then is the difference between a photograph and a cage at the zoo?</p>
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		<title>By: Alessandro Neri</title>
		<link>http://www.globalcompassion.com/2008/07/07/samantha-oulavong/comment-page-1/#comment-200</link>
		<dc:creator>Alessandro Neri</dc:creator>
		<pubDate>Wed, 09 Jul 2008 21:10:17 +0000</pubDate>
		<guid isPermaLink="false">http://www.globalcompassion.com/?p=230#comment-200</guid>
		<description>a window on a world that I do not know, Nicaragua. a series of photo where i can feel the difficulty of the life of this people.</description>
		<content:encoded><![CDATA[<p>a window on a world that I do not know, Nicaragua. a series of photo where i can feel the difficulty of the life of this people.</p>
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		<title>By: Samantha</title>
		<link>http://www.globalcompassion.com/2008/07/07/samantha-oulavong/comment-page-1/#comment-194</link>
		<dc:creator>Samantha</dc:creator>
		<pubDate>Wed, 09 Jul 2008 10:24:10 +0000</pubDate>
		<guid isPermaLink="false">http://www.globalcompassion.com/?p=230#comment-194</guid>
		<description>Andy, 

I just saw your emails in regards to LOVE&#039;s photo exhibition through your site...thank you so much Andy from the bottom of my heart for sharing my passion with the rest of the online community.  Your support for my work and the children that LOVE works with is greatly appreciated.

Sincerely,
samantha</description>
		<content:encoded><![CDATA[<p>Andy, </p>
<p>I just saw your emails in regards to LOVE&#8217;s photo exhibition through your site&#8230;thank you so much Andy from the bottom of my heart for sharing my passion with the rest of the online community.  Your support for my work and the children that LOVE works with is greatly appreciated.</p>
<p>Sincerely,<br />
samantha</p>
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